A New Generation of the Theatre Performance: Silver Screening as Cinematographization (Aleksandr Sozonov’s Staging of «The Picture of Dorian Gray» in Moscow Theatre named after M. N. Ermolova)

Alyona V. Sevasteyenko –Candidate of Philosophy, Head of Teaching Methodology Brunch, Liberal Arts University – University for Humanities, (Ekaterinburg).
Year: 2014
DOI:
UDK: 792
Pages: 149-164
Language: russian
Section: The world of Culture: subjects, institutions, practices
Keywords: absurd drama, avant-garde theatre, virtual reality, the imaginary, imagination, dream, duplicity, catharsis, cinematographization, Theatre of Cruelty, mimesis, myth, oneiric space, performance, transgression, transformation, screen version.
Abstract
A philosophical vision of the theatre performance (as the screen version and consequently the cinematic transformation of a script) has been presented in the article. The example of this new theatre performance is Moscow Ermolova Theatre «The Picture of Dorian Gray» stage version produced by a young stage director Aleksandr Sozonov with the help of the theatre’s artistic director Oleg Men’shikov in 2013.
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